Tuesday, 23 July 2013

The Domestic Bliss series on a Comic Con tour in the US of A

Since her cosy launch in February at The Poetry Cafe where it was great to have the room filled with interest and the book selling so well. Prints from the books are available here.

I didn't get any photos, apart from ones of Andrew, my husband and I preparing for it.

She is now on tour in the STATES, having a good sniff about...

Here she is among other comics on the 'Fanfare Ponentmon' stand at the Museum of Comic and Cartoon Arts Festival (MoCCA). After looking around at comic book publishers, it seems the work Ponentmon produce is a little more pithy and shows more intrigue and thoughtful usage of the genre.

I was given a copy of one particular publication by Stephen Robson; it's founder, when we met this year in February at The London Super Comic Con; it is called 'Farm 54' and is about a Jewish brother and sister, it can be seen among all the comic stock in the photos below. To be honest, I am still half way through reading it; halting on reading any further until I myself cross the rather perilous central episodes of Domestic Bliss (3 & 4). She is plotted, not drafted and (of course I don't fear) that she might sag in the middle like a cake lacking the right flour balance, I must get the suspension tight. Two episodes of tight rope walking and there is no going back...

Leaving the Super Con's and arriving...at...

Stephen Vrattos, the New York partner for Ponentmon, behind the table.

At MoCCA in New York.

Then a nice review, thanks to Philip Skurski:

"This book's got style"...click here.

Between, in late April, she stopped off at an idependent comic fair: The Illustrato.rs Art Expo at The Mall Galleries, held by the education department. 
On the front line, the tables stood in a horse shoe shape, looking outward towards fine art work created by up and coming university leavers. I found out about this event from my mother. 
It is in it's first year and a well devised way of delivering work happening in multiple stages, both educationally, artistically and on the peripheries commercially. I liked it, it was classy and very well organised, and it was good to get some feedback up front. A new one to remember for the diary.

Then it was Toronto Comic Arts Festival (TCAF), on the calender, where she sold out!
Again, among other books from Fanfare and Ponentmon stock.

There she is nestled in there!

On she goes...

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